Back in 1995, I spent several exhilarating and highly creative months living on Looe (or St. George’s) Island and in Looe itself, where I composed Island Symphony (the story is told here). I also wrote ‘Les Origines humaines’ during the same period.
Island Symphony was written at the request of Babs and Evelyn (Attie) Atkins, who owned the island at that time. They invited me to live in Smuggler’s Cottage while I created the piece. They wanted a proper Symphony, with an orchestra, but this could never be played on the island (not enough room!) so I made the work using orchestral samples, mixed with synthesised and recorded sounds. I also used the internet to gather sounds (this was before the World Wide Web!). It was a bit like gathering virtual driftwood.
Revisiting the island today has therefore been quite an emotional experience, filled with memories of the place and the late sisters who were its spirit. I am delighted to report that the Cornwall Wildlife Trust, in the persons of John and Claire Ross, have done a brilliant job of making the island into exactly what Babs and Attie wanted: a nature reserve.
Here are some of the photos I took during today’s visit:
John was kind enough to show me inside my old dwelling. It was very damp when I lived there. They’ve now had to take up the floor completely and are trying to make it habitable once more.
These next three photos show the location of Babs’ grave and memorial stone. Despite the sadness, it is good to know she is at rest on her beloved island.
After all this time, I have still never seen inside the house!
To my great surprise, they are still selling CDs of Island Symphony! A snip at £5.
After such an enjoyable but emotional trip, there was only one place to go for lunch: the Salutation Inn. Also full of memories: Dick Butters sat at the bar; the long games of chess with Peter Warden…
Reflecting on the whole experience, I would like to return one day and make another Island Symphony. This one would eschew the orchestra and concentrate instead on field recordings. The use of the internet would change too: it would become the location of the piece. The new Island Symphony would be an ever-evolving web installation, a site that is always there and can be visited at any time, just like the island itself.
In the meantime, here is the Virtual Tour I made back in 1996.